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If you’re going to compress an entire mix, use caution. For example, it can sound really cool to use a compressor to really “squish” a clean guitar track, or “clamp down” a snare drum to make it stand out. Finally, speed up your attack time gradually until it gets noticeable and then back it off slightly.Įxperiment with using dramatic compression as an effect. Then set your output gain to compensate for the 5 dB attenuation. Now, gradually raise the threshold until you’re getting somewhere around 5 dB of gain reduction. Set your attack time to a medium-fast setting and your release time to a medium setting. Try starting with a moderate to medium ratio of between 2:1 and 5:1. Fast compression on instruments with wide vibrato will demonstrate this effect. This can be simply due to the type of compressor being used, but often it’s the difference in tone between the peaks and the troughs of an instrument (if you reduce the peaks relative to the troughs, the tone will change). Compression can negatively affect the timbre of an instrument. It is a common practice and recommendation to apply “gentle” compression at different stages throughout the recording/mixing/mastering process, rather than applying excessive compression at just one point.Īlways listen carefully while adding compression. These are certainly not rules, but hopefully these techniques will help you feel more confident when using this extremely powerful, but easily misused recording tool. Here are a few suggestions to get you up and running with compression. Starlight Echo Station Starlight Echo StationĪstra Modulation Machine Astra Modulation MachineĤ-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics 4-710d Four-Channel Tone-Blending Mic Preamp w/ DynamicsĪbout Find a Dealer Downloads Blog Support Log In Thunderbolt 2 Option Card Thunderbolt 2 Option Card